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VBC Virtual Buss Compressors

Comprising of three distinct models of dynamic processors, designed to create authentic and professional emulations of classic hardware.

This is created by not only modelling the character of the equipment, but the individual parts as well - anything from transformers and tubes to the harmonic distortion and timing elements. It leaves you with a virtually-manipulated imprint on your tone that will bring an analogue-style vitality to every mix.

The FG4014 is described as having a "modern, clean, pristine" sound, capable of compressing without colouring the tone. An all-rounder that works equally well across recording, mixing and mastering, it's an invaluable addition to the studio. Slate recommend all instruments, drums and percussion when it comes to possible applications.

Next up is the FG8014 - think Neve and Focusrite Red-3 for an approximation of the sort of hybrid creation that Slate Digital has aimed for. It's all about the punch and a sonic tightness that will do a great job of giving power to your tracks without the sound becoming unwieldy, it's been designed for modern production as the "dream buss compressor".

And Finally the FG MU, a Fairchild 670 in a virtual guise with a modern twist - bags of character and warmth, and a depth that provides space and transient sparkle. It's a tried and tested classic, and like the other two in the range, the FG MU has filters and controls true to the original ideas the VBC's have been based on. They can be arranged in sequence as necessary too - the range of compression options available in manipulating your sound is therefore staggering. You could even add this to Slate's Digital FG-X Virtual Mastering Processor Plugin for a comprehensive analogue-emulating compression setup that'll articulate and transparent or character-laden at the twist of a few virtual knobs.