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Synchro Arts ReVoice Pro 3 Upgrade VocALign Project LE

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$349.00

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REVOICE PRO 3

TIME-SAVING VOCAL TUNING, TIME CORRECTION AND ADR SOFTWARE

Speed up your workflow

"Revoice Pro 3 saves an obscene amount of time that used to be spent editing. I find it an incredibly musical plug-in because it allows you to make stuff tight and in tune with the guide audio, but still have variants. So you end up with backing and lead vocals that you can really push forward in a mix and into sounds. Killer to my ears."

Francesco Cameli- Engineer: Queen, Genesis, Eric Clapton, Mariah Carey, Muse and Adele

 

 

Revoice Pro is used worldwide by top audio professionals for the fastest, easiest and best sounding adjustment and alignment of vocals, instruments and ADR as well as double track generation.

Revoice Pro 3 adds a powerful set of easy to use tools, workflow enhancements for top DAWs like Pro Tools, Logic Pro X, Studio One and Cubase. Major new features include a simple yet powerful toolset for manually adjusting audio timing and pitch. What’s more, users say that Revoice Pro 3 provides the most natural and transparent-sounding processing available.

At the heart of Revoice Pro is our unique Audio Performance Transfer (APT) process, that can gives the user the ability to take the timing, pitch, vibrato and level features of one audio track and use it on another, giving you the chance to match or correct timing and tuning, plus our highly-praised realistic Doubler process sounds great and is easy to use.

You can choose to work fast with automatic workflows or use our unique manual Warp process for pitch and timing. Now you have a one-stop, time-saving, high-quality solution for creative and corrective audio manipulation tasks.

 

 
 
Revoice Pro 3.3 for Music Production
 
 
 
Revoice Pro 3.3 for Post Production
 

Revoice Pro Wins Pitch Correction Software Comparison
Pitch Correction Shoot Out Results
 
Pitch Correction Shoot Out Results

In a recent Pro Tools Expert poll comparing pitch correction software, listeners chose Revoice Pro's output as the most preferred.

 

FEATURE SUMMARY

"I started using Revoice Pro on 'American Hustle' and it's become my favorite tool for ADR. 
The sync feature is spot on and now I'm using the pitch feature to match performances."

Renée Tondelli- Sound/Dialog Supervisor/Editor: "Into the Woods", "American Hustle", "Django Unchained"
Flexible Automatic Time and Pitch Alignment
Revoice Pro - Flexible Automatic Time and Pitch Alignment

 

Nothing works quite like Revoice Pro for getting tight vocal parts or ADR matched.

Revoice Pro is perfect for matching the timing of audio such as backing vocals, ADR, tuning vocals, or creating great-sounding double-tracks in an instant. And because you control the tightness of the corrections, you keep it sounding natural. What's more, tightening up stacks of vocals will take you just minutes, not hours. Try it now

 
Highest Quality Pitch and Time Manipulation
Revoice Pro - Highest Quality Pitch and Time Manipulation

 

When you need to manually adjust audio timing or pitch, Revoice Pro's Warp functions provide simple-to-use tools for creating naturally tuned vocals, monotonic instruments, or ADR - with the right intonation. But Revoice Pro also works on instruments too.

"In the past I have found that doubling from a plug-in sounds pretty bad. Revoice Pro's Doubler is the best-sounding doubler I have ever heard"

Chris Garcia- Producer and Composer: Lana Del Ray, Celine Dion, Katy Perry and Santana
 
The Most Realistic Doubler Ever
Revoice Pro - The Most Realistic Doubler Ever

Instantly double-track vocals and create stacked harmonies. Revoice Pro's Doubler process creates incredibly natural-sounding doubles in mono or stereo. Try it now

 

WHY USE REVOICE PRO?

Using Revoice Pro Pitch and Time Tools 

Revoice Pro is the secret ingredient used by thousands of top producers around the world. It works with any Windows or Mac OS X DAW including Pro Tools, Cubase, Studio One, Nuendo, Logic Pro, and many more. Audio is transfered either by Revoice Pro Link plug-ins, drag and drop, copy and paste or imported audio files. In some cases we have AAX, VST and AU plugins for enhanced workflow with the main Revoice Pro software.

Revoice Pro is in a class of its own, easily and quickly doing tasks that even experienced editors consider time-consuming, difficult or downright impossible.

The workflow is fast and easy to learn and it has to be different - because there is nothing else that does what Revoice Pro can do.

To get you started, we have created some free video tutorials on getting vocals in time and in tune, plus we have other great resources to get you working fast.

 

"I like the speed of use with the APT AudioSuite feature. It allows me to quickly tune and time vocal stacks so that I can focus more on the music and mix instead of getting caught up with tedious tuning and timing processes.

Revoice Pro 3 has become an essential tool in my digital toolbox. I highly recommend it!"

Ryan Nasci- Producer/Engineer: Tony Maserati, Jon Castelli, Isa “Machine” Summers (Florence And The Machine, Judith Hill and LP) and Tyler Johnson (Taylor Swift, Ed Sheeran, Mikky Ekko and Cam)

 

 

Why Should I Use Revoice Pro?

Tighten the timing, pitch and vibrato of “stacked” lead and backing vocals or instrumental tracks.
Create one or more realistic double tracks from a single input track.
Modify signal timing and pitch manually with the fastest and easy-to-use graphic interface.
Lip-sync dialogue (ADR) and vocals by the same or different performers, even when there are noisy guide tracks.
Change the inflection in dialog (ADR, voice-overs etc.) with the desired Guide pattern provided by recording the director or dialog editor.

 

Once you use Revoice Pro you’ll never look back - this is what professionals say about Revoice Pro.

 

 

AUDIO PERFORMANCE TRANSFER (APT) PROCESS

The APT Process transfers user-selected timing, pitch and level characteristics of a good "Guide" audio signal to one or more audio signals - automatically.

User Comments

"Revoice Pro allows me to reference the pitch and pacing of a recorded piece of on-set dialog and then impress these timing and pitch features upon a dialog recording from another take or a clean wild line, void of troublesome distracting sounds."

Jonah Guelzo– Sound Supervisor: Peter Berg (Director of ‘Lone Survivor’), Damon Lindeloff (Writer of ‘Lost’) and Ryan Gosling (Actor)

"I use Revoice Pro to create double vocal parts and harmonies. It saves me lots of time and energy, which can be spent elsewhere."

Val Garay– Grammy Award-Winning Producer: Marvin Gaye, Elton John and Dolly Parton and films including Spielberg’s ‘Little Giants'.

 

Applications for the APT process include:

Vocal and instrumental double tracks: Tighten the timing, pitch and vibrato of “stacked” tracks while keeping them natural-sounding.

Dialog replacement: Lip-sync dialogue (ADR) and vocals by the same or different performers, even when there are noisy guide tracks.

Transfer a performance: Change the inflection in dialog (ADR, voice-overs etc.) with the desired pattern changes provided by recording the director or dialog editor's voices.

Fix corrupted live vocal recordings: Replace and sync problematic vocals with clean retakes.

 


Description of the APT Processing

Revoice Pro 3 and APT Controls
 

Revoice Pro 3 and APT Controls

 
Revoice Pro 3 and New Process Controls
 

Revoice Pro 3 and New Process Controls

 

The user loads or transfers the Guide and Target (Dub) audio to be processed into the Revoice Pro program from DAWs or audio files. The Guide signal should have the "perfect" features: either timing, pitch or both.

However, if your Guide audio needs further time or pitch modifications, you can use Revoice Pro's new built-in Warp function to quickly and transparently adjust the Guide's (or lead harmony parts') timing and pitch.

In Revoice Pro, you can insert APT function blocks wherever you want them in dedicated "tracks" under each audio track that show where the processing starts and stops. You also chose the initial settings.

The APT process first determines the timing relationship between key features of the Guide and Target (Dub) audio signals using state-of-the-art pattern recognition algorithms based partly on Synchro Arts' VocALign technology.

 

 

Next, the APT process measures performance-related features (such as timing, pitch, vibrato and level) of both the "Guide" (which usually has certain preferred performance characteristics) and one or more Targets (Dub) signals.

User-selected Guide performance features are transferred to the Target audio to create a new Modified Target signal with the selected Guide features.

The transfer process usually includes the timing alignment, so Guide features are incorporated at precisely the correct places along the Target. However, this is an option.

If satisfactory, the processed Dub(s) can be instantly transferred back to the DAW via a number of methods including Revoice Pro Link plug-ins, drag & drop or copy & paste.

 


Important features:

Revoice Pro 3 APT Controls 

Revoice Pro 3 APT Controls

 
 
 
The "tightness" of the transferred feature can be controlled to allow natural acceptable differences to pass through unchanged.
Optional user-inserted "Protected Regions" allow selected sections of the Dub signals to be left unchanged in timing or pitch by the APT process.
The automatic APT processing can be followed by (or replaced by) manual editing of the output features.
APT Pitch (and other feature's) processing settings can be made time-varying (automated).
"Process-based" solo switching, via single keys, provides instant audition to compare inputs and outputs one or two signals at a time.
The effects of any changes made to APT control panel parameters will be immediately visible (after rendering) in the displayed output graphics of pitch, level and waveform traces.
Multiple Dub signals can use the same Guide and be efficiently processed at the same time. 
A comprehensive Preset system allows saving and reusing settings

 

Case Study - Replacing Noisy Dialogue

When José Luis Díaz found himself with location dialogue ruined by the sound of vehicle noise he turned to Revoice Pro to rescue the project.

“I had a take with some words ruined by the sound of moving vehicle noise. At first I tried to clean it with the top audio "cleaning" product but it was not possible. Then I searched in alternative takes and discovered one where those words were clean, but the reading was different and the pitch of the voice was too low. So it was not possible to simply replace the noisy words with the clean words. Nobody speaks in that gymnastic way.

I then tried Revoice Pro, and used the original noisy dialogue as the guide and words from the alternative take as the “dub”. After a few attempts I had clean location dialogue that had both matching time and pitch. This was not previously possible without Revoice Pro.”

 

DOUBLER PROCESS

Revoice Pro 3 Doubler - mono out

Revoice Pro 3 Doubler - mono out

 

The Doubler instantly creates natural-sounding mono and stereo double tracks - for voice and instruments

 
Applications for Doubler
Creating realistic double tracks from vocal or instrument recording when no double track is available.
Create a wide range of special modulation effects
 

Process Details

Inputs can be mono or stereo signals.
Doubler automatically creates natural-sounding mono or stereo double tracks in seconds.
Provides controls for modifying timing variations, formants, and vibrato.
Supports extreme parameter variations to create special effects.
Comprehensive user Preset system
 
 

Revoice Pro 3 Doubler - Step 1

Step 1

User selects input track and inserts Doubler process.

Revoice Pro 3 Doubler - Step 2

Step 2

User can modify the parameters to achieve the desired results.

Revoice Pro 3 Doubler - Step 3

Step 3

The Doubler process outputs a new mono or stereo signal which can instantly be played with input.

 

WARP PROCESSES

Revoice Pro 3 Make Warp Region
 
Make Warp Region menu
NEW - Warp Processes: Manually adjust Timing, Pitch and Level
Simple, fast adjustments with maximum quality- for voice and monophonic instruments

In Revoice Pro 3, manual Pitch and Time Warping of audio is intuitive, making it easy to select and manipulate timing and pitch whilst providing the highest audio quality. The controls allow selection over any range and cursor tool changes to show what will move. Automatic snap to pitch option, plus play loops and undo functions make adjustments fast and easy.

Applications for Warp processes

Improving or altering the pitch and/or timing of tracks that are used as Guide tracks in APT or Doubler processes.
Correcting or altering the pitch of a harmony track before using it as a Dub input to an APT process that will have only its timing aligned to the Guide. The output of this APT process can then become a harmony Guide track for automatically aligning the time and pitch of double tracks of this harmony part.
Manually adjusting the pitch and time of a solo vocal or any voice recording.
If required, making minor adjustments to the features in the output of an APT process.
Modifying signal levels.

 

A powerful advantage of keeping time and pitch adjustments within Revoice Pro 3 is that any additional time and/or pitch changes to Guide or Input tracks will be passed automatically into the outputs of all processes using these inputs.

This means that dependant audio tracks will always be in time and in sync instantly.

 

Warp Processing Details

There are now three new methods for manual Timing and Pitch Warping audio in Revoice Pro. However, the tools availble in all of these are operated similarly.

The quick-access cursor tool's function changes simply by moving the cursor position around the note selection blocks. This way, pitch traces can be shifted, squeezed, tilted and even inverted instantly by dragging the note-box sides or corners.

Time and level can be manipulated similarly and easily.

Revoice Pro 3 Raising Vibrato Pitch
 
Before: Rising Vibrato Pitch
 
Revoice Pro 3 Vibrato Corrected by Tilting down
 
After: Vibrato Corrected by Tilting down

 

Moreover - there is a Correct Pitch function for a quick snap-to grid process which will automatically adjust a large proportion of out-of-tune notes to more acceptable tunings.

 

Revoice Pro Warp Page - Bass Guitar

 

However, in any processing, the most important element is sound quality - which in Revoice Pro 3, remains natural and transparent for moderate changes.

For working with low or high pitched instruments or voices, the pitch processing ranges can be extended down to bass instrument ranges or up to flute ranges- to maintain the highest quality processing.

 
The WARP REGION Process
Adjustments are made to a single audio region in same track as the input audio Region and the adjusted output is heard replacing the input audio.
This is meant for making large and small corrections or creative changes to the timing and pitch of voice and monophonic instruments to create perfected lead, harmony, ADR or voice over parts.
 
The WARP Process
Like the APT or Doubler, the Warp process can (from part of a region or even from multiple regions) and allow creative adjustments and corrections to be applied to the input audio. But in this case, the Warp Process results are sent to an Output track - i.e. not in the same track as the input audio.
The Warp process takes its input from any length of audio in one track, from part of one region to spanning multiple regions. The output of the Warp process is sent to a designated output track where the adjustments are made. The input track is left unchanged.
 
 

Revoice Pro 3 - Three Warp Points inserted and moved
 
Three Warp Points inserted and moved
 
TIME WARP POINTS
In addition to the above processes, Time Warp Points can be added to any input or output signal to make "in place" timing adjustments.
A special function can add 3 Time Warp points at once - over a selected range - for very flexible timing editing of a section of sound.
 
 
 

DAW INTEGRATION

Revoice Pro is a stand-alone program which uses multiple methods for integrating with DAWs.

Revoice Pro does some things nothing else does. Because of this, we have had to make it work a little differently from anything else you'll have used.

However, we've done our best to make it work with your favourite DAWs and, once you understand a few basic concepts, you'll find it very easy and fast to use.

More importantly, even though have to move audio into and out of Revoice Pro - it will still save you hours of time and get your productions sounding how you want.

 

Why is Revoice Pro is a stand-alone program?

Revoice Pro DAW Integration

 

Revoice Pro has been deliberately developed as a stand-alone program, because there are significant speed and operational advantages over the restrictions of pure plug-in environments. These advantages include:

The ability to implement and load audio into multi-input processes and process many tracks at the same time.
A novel and effective “region-based processing" approach to audio processing in which inputs to processing modules are inserted where required along the timeline in Process Control Tracks and can have different settings along the same track.
Simple, one-key controls of a “process-based auditioning” for rapidly auditioning combinations of input and output signals to check the quality of modifications.
Modifications to Guide tracks can be automatically passed on to all tracks related to those Guides
Support for a multi-track and multi-process environment with no limits on timecode positions and over 100 tracks - giving you maximum flexibility and speed of operations.
Revoice Pro also allows multiple sessions to be open or one session open in multiple windows. For example, you can have multiple processing sessions open simultaneously and multiple views of any of those sessions.
A consistent working environment inside Revoice Pro regardless of audio source.

 

How do you get audio in and out of Revoice Pro from your DAW?

In Revoice Pro's installer, you get several Revoice Pro Link plug-ins as one type of option for conveniently getting audio into (and, for some DAWs, out of) Revoice Pro.

Some DAWs have better integration with Revoice Pro than others - but we are constantly trying to work with DAW manufacturers to improve the workflow experience.

Revoice Pro DAW Integration Page - Quick APT
Revoice Pro Link Plug-ins
Audio Suite Link, Quick APT and Quick Doubler:- for Pro Tools 10 and below.
AAX Link, Quick APT and Quick Doubler:- for Pro Tools 11 and up:

 

The following Link plug-ins can be inserted in multiple tracks for doing efficient simultaneous parallel) transfers.

Revoice Pro VST3 Link:- for Cubase, Nuendo, Studio One, and others
Revoice Pro AU Link:- for Logic Pro and other DAWs using AU plug-ins.

 

Audio Transfers Using OS File System
Fast Copy and Paste or Drag and Drop:- for some DAWs including Cubase, Nuendo, Logic Pro, Studio 1, etc.
Import / Export .wav files:- All DAWs

 

Revoice Pro DAW Integration

DAW-specific information

More details are given in the Revoice Pro User Guide and Video Tutorials.
You can choose the methods that work with your DAWs that make your workflow as fast and easy as possible.

 

Audio Transfer Options from Revoice Pro to DAWs

Working method will depend on capabilities of DAW.

Instantly Drag and Drop processed audio from Revoice Pro into your DAW
Select the audio you want to export and drag and drop into your Audio Editor or computer file system
Use Audio Suite / AAX plug-ins (Pro Tools only)
Export multiple tracks from Revoice ProContains timecode stamps - Audio files can be dragged into most Digital Audio Editors instantly and positioned to timecode
Optionally use Playback Region to select range of exported audio
Automatic track name formation
Optionally export all selected audio tracks into one multi-channel audio file

 

Key Environment Features

Revoice Pro - Multiple ways to transfer audio

Multiple ways to transfer audio

Simple transfer of audio to & from DAWs
Audio Suite, AAX, VST3 and AU Plug-in Links with timecode
Fast Drag and drop multiple files from DAW or OS wiith timecode

 

Revoice Pro - Supports multiple-input processes

Supports multiple-input processes

Process vocal stacks at the same time
Multiple input selection is easy and fast
Audio can be input to multiple processes

 

Revoice Pro - Region-based processing

Region-based processing

More flexible than track- or signal- based processing
Processes are created in "Process Control Tracks" show where process inputs start and stop
Each process can have its own settings, be modified independently and automated

 

Revoice Pro - Protected Regions

Protected regions

Avoids creating artefacts by not processing small, user-define areas of audio where Guide and Dub differ
Can selectively prevent processing of time, pitch or both
Manually-inserted when needed

 

Revoice Pro - Process-based soloing

Process-based soloing

Single key-stroke switches on correct track solos for selected process
Audition and compare one or two input or output tracks instantly

 

Revoice Pro - High quality multitrack scrubbing

High quality multitrack scrubbing

Helps locate audio events precisely
Can scrub all channels simultaneously
Scrub audio detail increases with zoom
 
 
 
Revoice Pro - Playback Range

Playback Range

Instantly created to review specific ranges of audio
Quick quality check with loop and audition controls
Optionally specify length of processeses
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