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Everybody keeps on sampling the best and cleanest piano ever! here is a completely different approach. We sampled an old Pleyel Grand Piano (F-71240 model from 1928) with vintage gear like a studer console and tube microphones, it has the rich and warm sound of the old jazz/blues or even classical music recordings.
The demo songs are performed by Jean-Michel Bernard (former composer for Ray Charles, film music composer) and Romain Collin, a very talented jazz French piano player based in NYC.
Preferences
Each feature is detailed below and of course it still contains the features of the previous versions like the release volume, pedal noise and key noise.
The Key Noises: the sound produced when you release a key and no corresponding sustain was played.
The Pedal Noise: the sound produced when you press or release the pedal, it adds a lot to the realism.
The Tone: a simple way to make the piano sound brighter or darker.
The sostenuto CC, also called the middle pedal. You can sustain selected notes, while other notes remain unaffected.
The polyphony. If you lower the buffer or simply want to be light on CPU, then increase or lower this value.
The Reverb. We use a convolution reverb and you can adjust the dry and wet parts separately as well as choose from a large selection of high quality Impulse Responses.
Round Robin. We added a software round robin feature for the users that need to play repetitive pieces.
The Rim position with a pair of microphones at the side of the piano to give more of a soloist playing with a piano perspective.
You can enable / disable, load / unload and mix each microphone position separately to get exactly the sound you want.
On / Off: You can easily enable or disable each microphone position.
Load: You can load / unload the samples of each microphone position. This saves Ram usage if you only use one position. Of course the controls are greyed out when the samples are unloaded.
Resonances
There are two kinds of resonances that are important to model on a piano, the pedal down resonances and the sympathetic resonances between the held notes. Both these effects are present in the OldBlackGrand, you can even change the amount of each of them.
Sympathetic Resonance controls the volume of the sympathetic resonance effect. If you want a piano that sings the harmonics, you can add a little more of that effect.
Symp Poly controls how many voices you want to allow for the sympathetic resonance effect.
Repedaling / Half pedaling
Helf Pedaling is as its name implies what happens when you play with the pedal half pressed. the decay is much longer and as the strings are not completely dampened, you hear some resonances.
MIDI controls
The velocity amount controls the dynamics, so the minimum volume associated with the lowest velocity.
The MIDI remapper controls the mapping, so which velocity layer corrsponds to which velocity imput.
The Min and Max Velocity are simply the minimum and maximum velocity that you will have to play to hear the piano.
The Sustain CC is by default at 64 but can be changed to any other controller if you need to.
The Sostenuto CC is by default at 66 but can be changed to any other controller if you need to.
Sample player
Technical description
You will then be able to register it to your iLok account from our website on this page (you need to be logged in to access this page). The whole process is described in the FAQ (instructions + screencast).
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