Description

MICRON SynthTV is designed for TV and media production where music needs to move, communicate, and stay fresh. It brings together layered synth patterns, drums, and bass lines—each one looping, slicing, and evolving with precision. The sound is inspired by 80s broadcast tones, yet sculpted for modern clarity, punch, and mix-readiness. Perfect for TV cues, talk shows, infotainment, tech reviews, sports intros, or podcast scoring, SynthTV gives you instant rhythmic identity: energetic but never overbearing.

The Sound:

Retro DNA, Modern polish. Fat analog synths, gated snares, neon basslines—refined through today’s mastering standards. Layered loops. Each patch contains multiple rhythmic layers—drums, synths, bass, and textures—blendable via the XY Pad for evolving movement or instant drop-outs. Authentic feel. Warm oscillators, tape-like saturation, rhythmic modulation, and a hint of broadcast compression recreate that familiar TV texture—alive, not lo-fi.

Who is it for?

TV, streaming, and YouTube producers needing versatile underscores that feel modern yet familiar. Composers and editors who want quick, sync-safe grooves for talk shows, game reviews, product demos, trailers, or explainer videos. Electronic musicians inspired by the retro-synth resurgence but looking for new structures instead of nostalgia loops. Sound designers building idents, interludes, or network bumpers with a stylized yet clean rhythm base.

Use Cases.

Television & Web Shows: underscoring conversation, tech reviews, or light competitions. Corporate & Explainer Videos: modern rhythm without cliché EDM polish. Trailers & Promos: punchy transitional energy that feels professional and concise. Podcast or Broadcast Production: create musical idents or rhythmic beds that loop seamlessly. Media Composers: use it as your instant tone kit for sketches, bumpers, or pilot scoring.

Rhythmic Exploration

The intuitive loop sequencer empowers deep creative control: edit individual steps, mangle existing sequences, and reorder elements to forge entirely new rhythmic patterns and riffs. Transform these building blocks into your own unique soundtrack through original editing and inspiring randomization features.

Variations and Harmony

Take your audience on a thrilling journey of sonic intensity with the 8 Scene Memories! Craft intricate layered sequences and evolving arrangements that build anticipation with stunning drops and impactful fills. These dynamic loops intelligently adapt to your major and minor chord changes, ensuring a harmonically rich and perfectly synchronized performance. Select your desired layers and inject spontaneous improvisation and dynamic repeats to unlock a wealth of additional variations and fuel boundless creativity. And with the New MULTI-LAYER System you can have up to 8 sound sources per layers, so each Scene can recall not only sequences parameters, but also new sounds and grooves.

Why SynthTV?

Because not every instrument needs to scream retro or EDM. SynthTV captures the charm of analog-era rhythm with the discipline of modern sound design. It’s bold enough for intros, clean enough for dialogue, and flexible enough to cover an entire segment. It’s the sound of yesterday’s technology reimagined for today’s productions—energetic, smart, and instantly usable.

Each MICRON library is meticulously crafted around a specific genre, mood, or application. We’re talking laser-focused sonic palettes that nail the sound you’re after, whether it’s the suspenseful atmosphere for your next thriller, the driving pulse of a rock anthem, or the intricate layers of a modern electronic arrangement.

Features

• Kontakt Library (5.8.1 or above)
• It requires Kontakt's full retail version. It will not work with the free Kontakt Player. Sounds And Presets Installation requires the PULSE DOWNLOADER
• Loop-Based: These libraries are built around rhythmic and melodic loops.
• Sequencer: which provides 16 steps per layer to switch loop playback on or off. Step Randomization: Key switches allow for randomization of the step on/off switches for individual or all layers, creating dynamic variations.
• Mode and Pitch Control: Similar to XY Atmos, many loops (excluding rhythmic ones) come with major and minor content, triggered by playing velocity.
• Pitch Lock: Layers can be set to ignore incoming key presses, allowing their pitch to remain constant while other layers change with played notes.
• Slice Editing: Users can randomize and edit the order of slices within each loop, creating new rhythmic patterns.
• Time Signature Manipulation: The “Beatbase” control allows for changing the denominator of the time signature, enabling unusual rhythms (e.g., 7/4, 7/8).
• features include the XY pad for crossfading, individual volume, sound selection, mute/solo buttons, waveform display, and per-layer controls for pan, pitch, attack, release, low-pass/high-pass filters, sample start, “dirt” (saturation/compression/distortion), delay, and convolution reverb with over 150 impulse responses. Master controls for portamento and randomization are also universally present. All XY libraries also offer a separate output option for each of the four layers