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Dangerous Curves Ahead
Sines is a sensational and innovative original polyphonic synthesizer. Employing four sine-wave oscillators, Sines utilizes diverse waveshaping methods to bend these pure waveforms into infinitely variable and complex shapes. When combined with its wide-ranging modulation capabilities and effects, users can create a distinctive array of unique timbres ranging from the sublime to sizzling.
The Power of Four
The state-of-the-art Sines interface provides immediate hands-on access to all sound parameters. It comes alive with illuminated indicators, color, and mini oscilloscopes, providing instant visual feedback. The primary sound design controls are grouped horizontally in bands emphasizing its "four of everything" nature: four LFOs, four oscillators, and four envelope generators. At the core of each section are the unique sine-wave oscillator waveshaping controls: feedback, phase, width, shape, wavefold, and drive, along with a sub (octave-down) oscillator and a super (octave-up) oscillator. Phase modulation and ratio dials allow the oscillators to be configured in a modulator/carrier arrangement for four-op DX/FM-style synthesis.
But these dangerous curves are just the beginning. Sines features Cherry Audio's most extensive multimode filter to date, four LFOs with 14 wave shapes, four envelope generators, an arpeggio, a "best of" selection of Cherry Audio's finest acclaimed effects, a drift function, and an integrated eight-band graphic EQ. Many controls include an adjacent mod source button, and an outrageously comprehensive four-slot mod matrix provides considerable modulation options for nearly every Sines parameter.
Three Ways to Play
Mastering Sines may seem like rocket science, but we've made it easy to get started. Sines includes over 700 presets, both practical and cutting-edge, as well as a comprehensive user guide that's fun to read. Moreover, the aural and visual immediacy of Sines encourages experimentation and provides a deeper understanding of how the elements interact. In little time, users can design individualized sounds ranging from glorious evolving pads, bright FM plucks, distinctive leads, crisp percussive tones, and much more.
Sines lends itself well to three more direct approaches to sound design: standard subtractive synthesis, where sine waves are wave-shaped into other familiar waveforms, then processed through an analog-style filter. Alternately, an additive synthesis approach stacks sine waves at different pitches and amplitudes, like a supercharged Hammond tonewheel organ. Finally, oscillators can modulate each other in multiple configurations, mimicking the classic DX-style FM carrier and modulator architecture with much less effort than original 80s instruments.
To get users up and running, Cherry Audio and Tim Shoebridge have again teamed up to create an introductory video to walk users through the outstanding features and sound design strategies of Sines.
Last but not least, Sines boasts all of the exceptional touches Cherry Audio is known for, including polyphonic aftertouch, MIDI Polyphonic Expression (MPE), flexible MIDI mapping, and its industry-leading preset browser. Also included are Cherry Audio's studio-quality effects such as distortion, chorus, phaser, delay, and reverb, all fully modulatable through the mod matrix. Altogether, Sines is the complete package for new frontiers in sound design and performance.
Sines includes a massive library of over 700 presets from an elite team of sound artists
Get started and get inspired by Sines' stunning preset library, created by a wildly talented and diverse group of sound designers, led by veteran sound designer James Terris.
James Terris
Cherry Audio's lead preset programmer and curator. James is a freelance sound designer and musician based in the San Francisco Bay Area. He's worked with Dave Smith Instruments/Sequential, Pioneer DJ, Apple, and Han Zimmer’s Remote Control.
Huston Singletary
Veteran sound designer, producer, film composer, and podcaster. Huston has contributed sounds to an endless array of popular products by Toontrack, Izotope, Synthogy, Kilohearts, Roland, Alesis, Spectrasonics, and Sequential.
Katharine Fountain
Katharine Fountain aka FOUNTAINS is an artist, producer, and sound designer based in Nova Scotia, Canada. Katharine graduated from Berklee College of Music in 2019. In addition to freelance sound design work, Katharine also releases music under her self-produced solo electronic pop project, FOUNTAINS.
Matia Simovich
Matia (INHALT) Simovich has shared his unique sound design skills with various leading musical instrument manufacturers such as Sequential/Dave Smith Instruments, Akai Professional, Elektron, and more. He has collaborated with Peter Baumann (Tangerine Dream), and produced Body of Light’s Billboard charting LP “Time to Kill”.
Julie Kathryn
Julie Kathryn (I AM SNOW ANGEL) is a recording artist, multi-instrumentalist, producer, and sound designer. She has developed a signature dreampop aesthetic as I AM SNOW ANGEL. She regularly designs MIDI presets for Ableton Live and has created audio sound packs for Splice and BandLab.
Darrick Atwater
Darrick Atwater (Agent Method) is a sound designer, producer, engineer and a comedic content creator in the Metro Atlanta area. He pulls influence from genres of the early aughts and combines them with dubstep, future bass/trap EDM, and vaporwave. He creates content and sounds for major audio companies and is building his own effects and plugins.
James Dyson
James is a freelance sound designer and musician based in the UK, and creates third-party preset packs as JD Soundsets. He draws inspiration and influence from Tangerine Dream and 80s film scores, and has designed sounds for Modal and IK Multimedia.
Christian Matthew Cullen
Christian has worked with some of the biggest names in the industry as a musician and producer. He is best known for his enthusiastic and soulful playing style and uncanny ability to sound design classic and modern sounds. His company, SOUNDS FAMOUS, recreates iconic patches, samples and sounds from famous records and artists.
Quotes
Medievil Music
“In a world of hardware emulations, Sines shines apart as a wonderful and extraordinary original design, and it sounds incredible. Billions of variations and tonal delights right under your fingertips!”
Starship
“Sines is unique in design and sound. It combines what I love about west coast synthesis like wavefolding and audio-rate frequency and phase modulation with the modern conveniences of a polyphonic plug-in instrument. I was especially impressed with the effects section.”
Half of the Cosmic Tape Music duo (w/ Jacqueline Caruso) “The Galaxy Electric,” specializing in modular synths and analog tape machines.
“I can tell you that it is without any doubt that Sines is one of the best synthesizer designs ever. Combining the best of all worlds. At last a synth that puts the focus to the heart of a synth which is the oscillator.”
Sines Features
Four independent sine waveform oscillators, with waveshaping controls to bend the pure waveforms into other standard waves (sawtooth, square, pulse, triangle) and more complex and novel shapes
Six waveshaper controls: feedback, phase, width, shape, wavefold, and drive, each with modulation source assignments available
Sub (octave-down sine wave) oscillator and a super oscillator (octave-up sine wave) for each oscillator
Oscillator utility function to copy/paste, randomize, or reset any oscillator settings
Glide (portamento) and keyboard (pitch) controls independently enabled for each oscillator
Up to 16-voice polyphony
Polyphonic (two modes), chord memory, single voice, and unison with unison detune
Resonant multimode filter with 6, 12, 18 or 24 dB/oct lowpass, highpass, bandpass, or notch modes
Four tempo-syncable LFOs with 14 waveforms: sine, triangle, sawtooth, sawtooth, exponential sawtooth, logarithmic sawtooth, three-step sawtooth, four-step ramp, exponential ramp, logarithmic ramp, three-step ramp, and four-step square random
ADSR filter and amplifier envelope generators with velocity controls
Two additional auxiliary envelope generators usable as mod sources
Four-slot mod matrix allows modulation of nearly every parameter in Sines
Arpeggiator with tempo sync
Four fully modulatable effects sections: multiple distortion and sample-crushing options; mod FX with phaser, chorus, flanger, or rotary speaker; delay with stereo, ping-pong, or tape delay modes; five reverb effects, including our acclaimed "Galactic" algorithm
Drift controls that optionally apply variation to oscillators and filter frequencies to add authentic analog character
Eight-band graphic EQ
Channel pressure and polyphonic aftertouch as a polyphonic modulation source
Support for MIDI Polyphonic Expression (MPE) -- Pitch, Channel Pressure, and Timbre -- making Sines capable of more organic and expressive performances when using MPE-compatible controllers
Cherry Audio's popular Focus zoom-in feature, as well as standard UI zoom and resize with drag
Over 700 presets created by a talented and diverse group of sound design veterans
Complete MIDI control and DAW automation for all controls, with easy-to-use MIDI learn
Preset and Global level MIDI mapping
Highly optimized coding for optimal performance with ultra-low CPU load
User-adjustable oversampling control
System Requirements
Sines is available in AU, VST, VST3, AAX, and standalone formats.
macOS Requirements: macOS 10.13 or above. macOS 13 Ventura Beta supported. 64-bit required. Native Apple M1 processor support. 3.4 GHz Quad-Core or M1 CPU with 8GB of RAM recommended.
Windows Requirements: Windows 7 or above (including Windows 11), 64-bit required. 3.4 GHz Quad-Core computer with 8GB of RAM recommended.
NOTE: Internet connection required for product activation.
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