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Download the Softube Time and Tone Pack for free from their download area on focusrite.com; valid with all registered purchases of Focusrite Scarlett, Saffire, and Clarett Interfaces that were made on or after September 1st, 2015
Softube Time and Tone Pack is a unique plug-in bundle (valued at $198), which includes three of Softube’sworld class plug-ins: a reverb, a delay and a distortion:TSAR-1R: Add space, depth and width to your sound—TSAR-1R is a reverb plug-in with world class soundand extreme ease of use. With a single slider, you can take TSAR-1R from realistic and three-dimensionalrooms to dramatic and dreamlike halls.Tube Delay: A tasty echo effect that can go from clean to rude by overdriving its three modeled tube stages.Create anything from realistic room echoes to rockabilly style slapbacks—or take it all the way into dubreggae echo madness.Saturation Knob: Add grit and warmth to any sound source with this modeled output distortion unit. Useit to fatten up bass lines, add some harmonics and shimmer to vocals, or simply destroy your drum loop.Simply turn up the knob to add saturation, and use the three-position switch to alter the distortion character.
New open box Focusrite Scarlett 2i4 in new condition. Software drivers are included but no other software is included.
- High Quality Outputs
- High Quality Outputs
- MIDI I/O
- USB bus powered
- Rugged Metal Unibody Case
- Unique Signal Halos
- Direct Monitor Function
Get Started
Connect Scarlett 2i4 to your Mac or PC and get ready to make music! With the very best in digital audio technology and a variety of input and output options, the Scarlett 2i4 will capture and playback your sound with superb quality.
Plug straight in
The front panel has two combo XLR inputs so you can connect microphones, guitars and line level signals with absolute confidence that your sound is in safe hands. Use the “PAD” function for loud guitars or microphones, and use the “DIRECT MONITOR” control for a low-latency mix of input and playback signals.
Keep an eye on your levels
Unique signal halos let you know that you’ve got a good audio level for recording. Green is good and red means that your audio is too loud, and that your should lower the level control.
DJ-ready outputs
With 4 RCA outputs, a high-level headphone output and pristine audio quality, in a package ready for the road, the Scarlett 2i4 is ideal for today's digital performers and laptop DJs.
25 years of experience
Since 1985, Focusrite has been a leading manufacturer in the professional audio field. Focusrite mic pres are the choice of leading artists, recording studios and engineers around the world. Those years of audio experience ensure the Scarlett 2i4 sounds as beautiful as it looks.
Specifications
- 2 in / 4 out USB audio interface
- 96 KHz, 24-bit conversion
- 2 Focusrite microphone preamplifiers
- Red anodised aluminium unibody chassis
Front panel
- 2 line/mic/instrument combination inputs - Neutrik XLR/ ¼ “ TRS Jack Combo
- 2 line/inst switches
- 2 illuminating “PAD” buttons
- 2 Gain knobs
- 2 Gain halo signal indicators
- 48V Phantom power switch
- MIDI activity LED indicator
- USB connection LED indicator
- “DIRECT MONITOR” control
- “STEREO/MONO” switch for direct monitor
- Large monitor level dial (controls headphone and line level outputs)
- Headphone output - ¼” TRS Jack
- Headphone level knob
- “HEADPHONE SOURCE” switch
Rear panel
- 2 balanced monitor outputs – TRS (channels 1-2)
- 4 unbalanced outputs – RCA Phono (channels 1-4)
- MIDI IO
- USB 2.0 Port
- Kensington Lock slot
Analogue Input Performance | |
Mic | |
Frequency Response | 20Hz - 20kHz +/- 0.1 dB |
THD+N | < 0.002% (minimum gain, -1dBFS input with 22Hz/22kHz bandpass filter) |
Equivalent Input Noise (EIN) | < -120dB: measured at 55dB of gain with 150Ω termination (20Hz/22kHz bandpass filter) |
Gain Range | +10dB to +55dB (0dB to +45dB when pad is engaged) |
Max Input Level | +3.5dBu |
Line | |
Frequency Response | 20Hz - 20kHz +/- 0.1dB |
THD+N | < 0.01% (‘A’ weighted measured with +16dB input gain -1dBFS at output and 22Hz/22kHz bandpass filter) |
Noise | -90 dBu (22 Hz/22KHz bandpass filter) |
Signal to Noise Ratio | > 100dB |
Gain Range | -10dB to +35dB (-20dB to +25dB when pad is engaged) |
Max Input Level | +26dBu (at 1% THD+N) |
Instrument | |
Frequency Response | 20Hz - 20kHz +/- 0.1dB |
THD+N | 0.0025% (‘A’ weighted measured with 16dB input gain, -1dBFS at output and 22Hz/22kHz bandpass filter) |
Noise | -87dBu (22Hz/22kHz bandpass filter) |
Gain Range | +10dB to +55dB (0dB to +45dB when pad is engaged) |
Max Input Level | +3dBu (+13dBu pad in) |
Analogue Output Performance | |
Nominal Output Level | 0dBFS = +10dBu, balanced 0dBFS = +5.5bBu, unbalanced |
Frequency Response | 20Hz - 20kHz +/- 0.2dB |
THD+N | < 0.0015%, balanced (-1dBFS input 22Hz/22kHz bandpass filter, un-weighted) < 0.03 %, unbalanced (0dBFS input 22Hz/22kHz bandpass filter) |
Output Impedance | < 12Ω |
Power Output into 32Ω | 24mW |
Digital Performance | |
Clock sources | Internal clock only |
A-D Dynamic Range | 105dB 'A-weighted' (all inputs). Converter chipset A-D dynamic range 114dB |
D-A Dynamic Range | 104dB 'A-weighted' (all outputs). Converter chipset D-A dynamic range 114dB |
Supported sample rates | 44.1 KHz, 48 KHz, 88.2 KHz, 96 KHz |
Crosstalk | |
Input to Input | Better than 90dB |
Output to Output | Better than 90dB |
Input to Output | Better than 85dB |
Input Metering | |
Ring LED lit Green | Signal present (-24 dBFS) |
Ring LED lit Red | Signal overload (0dBFS), peak held for approximately 1 second |
Weight and Dimensions | |
Height | 48 mm |
Width | 210 mm |
Depth | 140 mm |
Weight | 890 g |
Variant | 該当無し |