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DEATH & DARKNESS SDX
A MATTER OF DEATH AND DARKNESS.
Two studios. Two engineers. All the death and darkness you can take.
The Death & Darkness SDX merges two world-class studios with two of today’s most in-demand modern metal producers: Mark Lewis (Cannibal Corpse, Whitechapel, Coal Chamber) and Tue Madsen (Meshuggah, Behemoth, Hatesphere). Combined, it gives you a truly diverse and all-encompassing collection of drums designed to cater to any facet of today’s fragmented scene – from the most brutal, blast beat-ridden and breakneck-speed death metal to hard-hitting metalcore, hardcore and all the fusion-inspired hybrids of progressive metal.
The SDX was configured as two separate libraries, one for each studio. The ‘Death’ portion of the SDX was recorded by Mark Lewis at his choice studio, the Sonic Ranch in Tornillo, Texas. The Ranch’s perfectly crafted Vincent van Haaff-designed main room offers second-to-none acoustics – pristine and distinct but still dense and with a warm, resonant and balanced natural reverb. To contrast, the ‘Darkness’ part of the SDX offers a completely different experience – a darker, less polished and more raw-natured tone of drums. It was recorded in the empty swimming pool in Tue’s longtime and much-legendary Antfarm Studio in Aarhus, Denmark. With the reflective surface of the hard tile walls and floor in the pool combined with the surrounding room’s brick structure and high ceiling, the ambience of this unique room heard on countless albums is unlike any other.
Welcome to two studios, two schools of modern engineering and an almost insurmountable amount of drums ready for you to hone, mold and shape to literally anything you can imagine sound-wise. Get ready to produce drum mixes that have the power to pierce and cut through any thick wall of guitars or extremely layered production.
FEATURE SPOTLIGHT
Nine (9) complete kitsA total of 19 bass drums, 19 snare drums, 35 cymbals and more
Recorded at two different studios: Sonic Ranch, TX, (by Mark Lewis) and Antfarm Studios, Denmark, (by Tue Madsen)
Sampled with extreme attention to detail and articulation
Configured as two sound libraries, one for each studio
Includes custom mix presets engineered by Mark Lewis, Tue Madsen and Toontrack
Sampled by drummers Sean Reinert and Michel Svane
Includes MIDI performed by Sean Reinert and Jay Postones (TesseracT)
FACTS & FIGURES.
DEATH.
Size: Approx. 114 GB
Kits: 4
Bass drums: 10
Snare drums: 9 (plus alternative configurations)
Cymbals: 17
Hi-hats: 3
DARKNESS.
Size: Approx. 70 GB
Kits: 5
Bass drums: 9 (plus alternative configurations)
Snare drums: 10 (plus alternative configurations)
Cymbals: 18
Hi-hats: 3
THE STUDIOS.
Welcome to two studios on opposite side of the Atlantic: the Sonic Ranch and Antfarm.
DARKNESS.
ANTFARM.
By the sheer look of this regular two-story house in the suburban outskirts of Aarhus, Denmark, you wouldn’t guess that behind its modest facade is a studio where countless metal classics have been immortalized. At the helm was and has always been the biggest mojo of the place – Tue Madsen. We were lucky to capture his unique room before he just recently moved to a new location.
NOTABLE METAL MOMENTS.
Here is a small selection of albums tinted by that unmistakable Tue Madsen and Antfarm mojo ever-so-present in the ‘Darkness’ sound library.
Heaven Shall Burn “Invictus” (2010)
Sick of It All “XXV Nonstop” (2011)
The Haunted “Unseen” (2011)
THE POOL STORY.
“The whole pool/studio thing started mostly by accident. I had a much smaller studio back then that I re-arranged so I didn’t have a drum room anymore and therefore nowhere to put my drum kit…and since the pool was empty I just put it there. One day I thought I would set it up for my son to play with and when I hit that bass drum the first time it was the most amazing feeling. It sounded like every Scorpions/Bon Jovi ’80s record played at the same time. Huge stadium sound! I started to talk about it to a few of my friends and did a short test recording for a local hardcore band, which was in theory a horrible idea, but turned out pretty awesome sounding. From there the idea was taking form. My friend Alex from Heaven Shall Burn liked the idea so much that he wanted to record the drums for the band’s next album “Invictus” in it, and the first album was recorded. The studio wasn’t even in the same building, so we had to open a window and run a multi cable down the stairs outside through the door to do the recording. It was a mess, but the sound was amazing. In fact. we also did the next album “Veto” there. Since then, many albums were recorded using the pool as a drum room: The Haunted, Moonspell, Sick of It All, HateSphere, Illdisposed, Ektomorf, Mnemic, Cataract, Born from Pain, Velvet Volume, The Boy That Got Away, I’ll Be Damned. The pool gives you a very hard and aggressive attack, but can also provide a much softer “wishy-washy” sound if you play with the room microphones. It has been a constant inspiration over the years. Due to the measurements of the room, some frequencies get crazy and can be used to get some extreme sounds. I always had a set of Røde NT 1000 mics in the corners behind the drum kit, and if you ever wanted 49 Hz on your drums – that was where to get it.”
Tue Madsen
DEATH.
SONIC RANCH.
In the midst of pecan orchards, grape vines and breathtaking panoramas, the Sonic Ranch has a truly a one-of-a-kind setting for a recording studio. Bordering the Rio Grande and Old Mexico, located on a a 2,300 acre secluded property, this is not just a place to record, it’s a place to create.
“Sonic Ranch has been one of my favorite places to work since I first did a record there. It’s one of the world’s premiere studios with the best gear, incredible rooms and the most focused and inspiring work environment I’ve ever been in. From the equipment to the people and the food to the vibe, it was a no-brainer to create this important project there. I am thrilled with the results,” commented Mark Lewis.
NOTABLE METAL MOMENTS.
Here are just some of the albums on which you can hear the sonic fingerprint of the Sonic Ranch.
Bullet for My Valentine “Scream Aim Fire” (2008)
DevilDriver “Beast” (2011)
Cannibal Corpse “Torture” (2012)
FUN FACTS.
The Sonic Ranch is the world’s largest residential recording studio complex (the property is 2,300 acres!)The ‘Neve Room’ (in which we recorded) has the largest Neve console in the world (80 channels of 31105 mic pre/EQs and flying faders). The left hand side of this vintage Neve 8078 was the original West Coast Motown console. It later found its home in Madonna’s “Brooklyn” studio. The console has since been combined with another 8078 and now permanently resides at the Sonic Ranch.
There are over 80 guitars available in the studios, all labeled by year. Some notable guitars include a 1951 Fender Nocaster as well as a Gibson Les Paul Goldtop (that was previously owned by G.E. Smith).
THE DRUMS.
The drums for each session were handpicked respectively by Mark and Tue together with the Toontrack team. The aim was to supply the broadest possible palette of tones and difference in materials. In addition to the regular kits and cymbal collections, a large selection of additional instruments were recorded.
DARKNESS.
THE WHITE LIGHT.
Brand: Yamaha
Model: Recording Custom 1980s
Shell construction: Six-ply birch
Finish: Stage White
Tool recorded: Vater 5B Hand Selected Hickory drumsticks
KICK
Size: 16×22”
Batter head: Remo Powerstroke 3 Clear
Front head: Generic Black Smooth w/ 6” hole
Beater: Plastic
SNARE
Brand: Mapex
Model: Black Panther
Shell construction: Steel
Shell finish: Black nickel
Size: 5.5×14”
Batter head: Remo Emperor Coated
Resonance head: Remo Ambassador Hazy
RACK TOM 1
Size: 9×10”
Batter head: Remo Emperor Clear
Resonance head: Remo Ambassador Clear
RACK TOM 2
Size: 10×12”
Batter head: Remo Emperor Clear
Resonance head: Remo Ambassador Clear
RACK TOM 3
Size: 11×13”
Batter head: Remo Emperor Clear
Resonance head: Remo Ambassador Clear
FLOOR TOM 1
Size: 14×14”
Batter head: Remo Emperor Clear
Resonance head: Remo Ambassador Clear
FLOOR TOM 2
Size: 16×16”
Batter head: Remo Emperor Clear
Resonance head: Remo Ambassador Clear
HI-HAT
Brand: Stringsite
Model: Fire
Size: 14”
RIDE
Brand: Stringsite
Model: Black Dust Medium Heavy
Size: 20”
CRASH 1
Brand: Paiste
Model: Giant Beat
Size: 18”
CRASH 2
Brand: Istanbul Agop
Model: Xist
Size: 17”
CRASH 3
Brand: Paiste
Model: 2002 (Red Label), chipped
Size: 18”
CRASH 4
Brand: Stringsite
Model: Medium Heavy Ride
Size: 18”
CRASH 5
Brand: Stringsite
Model: Windhammered
Size: 16”
CHINA 1
Brand: Paiste
Model: 2002 (Red Label)
Size: 20”
SPLASH 1
Brand: Stringsite
Model: Fire
Size: 8”
SPLASH 2
Brand: Stringsite
Model: Windhammered
Size: 8”
DARKNESS.
THE METALWORKS.
Brand: Slingerland (with additional rack toms from Pearl and Premier)
Model: Chrome over Wood 1970s
Shell construction: Chrome over three-ply maple with reinforcement rings
Shell finish: Chrome
Tool recorded: Vater 5B Hand Selected Hickory drumsticks
KICK
Size: 14×26”
Batter head: Remo Powerstroke 3 Clear
Front head: Slingerland Factory w/ 6” hole
Beater: Felt
SNARE
Brand: Ludwig
Model: Black Beauty
Shell construction: Black nickel over spun brass
Shell finish: Black nickel
Size: 6.5×14”
Batter head: Remo Controlled Sound Coated Black Dot
Resonance head: Remo Ambassador Hazy
RACK TOM 1
Brand: Pearl
Model: Export
Shell construction: Six-ply poplar
Finish: Mirror Chrome
Size: 9×12”
Batter head: Remo Emperor Coated
Resonance head: Gretsch Powertone
RACK TOM 2
Shell finish: Chrome
Size: 9×13”
Batter head: Remo Ambassador Coated
Resonance head: Remo Ambassador Clear
RACK TOM 3
Brand: Premier
Model: Olympic
Shell construction: Chrome wrap over three-ply mahogany with reinforcement rings
Shell finish: Chrome
Size: 10×14”
Batter head: Remo Ambassador Coated
Resonance head: Remo Ambassador Clear
FLOOR TOM 1
Size: 16×16”
Batter head: Remo Ambassador Coated
Resonance head: Remo Ambassador Clear
FLOOR TOM 2
Size: 16×18”
Batter head: Remo Ambassador Coated
Resonance head: Remo Ambassador Clear
HI-HAT
Brand: Paiste
Model: 2002 (Red Label) Medium
Size: 14”
RIDE
Brand: Paiste
Model: 2002 (Red Label)
Size: 20”
CRASH 1
Brand: Paiste
Model: 2002 (Red Label)
Size: 18”
CRASH 2
Brand: Paiste
Model: 2002 (Red Label)
Size: 16”
CRASH 3
Brand: Paiste
Model: 2002 (Red Label)
Size: 17”
CRASH 4
Brand: Paiste
Model: 2002 (Red Label)
Size: 20”
CHINA 1
Brand: Paiste
Model: Signature Thin
Size: 18”
SPLASH 1
Brand: Stringsite
Model: Fire
Size: 10”
SPLASH 2
Brand: Stringsite
Model: Black Dust
Size: 10”
DARKNESS.
THE BLACK BEAST.
Brand: Pearl
Model: Masters Premium Legend
Shell construction: Six-ply maple
Shell finish: Black
Tool recorded: Vater 5B Hand Selected Hickory drumsticks
KICK
Brand: Pearl
Model: Masters Premium Legend
Shell construction: Six-ply maple
Finish: Black
Size: 18×22”
Batter head: Remo Powerstroke 3 Clear
Front head: Pearl Factory w/ 6” hole
Beater: Felt
SNARE
Brand: Drum Gear
Model: SnareWorks
Shell construction: Bronze
Finish: Black nickel plated/sanded
Size: 7×13”
Batter head: Remo Powerstroke 3 Coated
Resonance head: Drum Gear Snare Side
RACK TOM 1
Size: 8×10”
Batter head: Remo Emperor Clear
Resonance head: Remo Ambassador Clear
RACK TOM 2
Size: 9×12”
Batter head: Remo Emperor Clear
Resonance head: Remo Ambassador Clear
FLOOR TOM 1
Size: 14×14”
Batter head: Remo Emperor Clear
Resonance head: Remo Ambassador Clear
FLOOR TOM 2
Size: 16×16”
Batter head: Remo Emperor Clear
Resonance head: Remo Ambassador Clear
DARKNESS.
THE AARHUS ABYSS.
Brand: Tama
Model: Starclassic Performer EFX
Shell construction: Birch ply
Shell finish: Champagne sparkle
Tool recorded: Vater 5B Hand Selected Hickory drumsticks
KICK
Size: 18×22”
Batter head: Remo Pinstripe
Front head: Tama Factory w/6” hole
Beater: Felt
SNARE
Brand: Tama
Model: Swingstar Steel
Construction: Chrome over steel
Finish: Chrome
Size: 5.5×14”
Batter head: Remo Emperor Coated
Resonance head: Remo Ambassador Hazy
RACK TOM 1
Size: 8×10”
Batter head: Remo Emperor Clear
Resonance head: Remo Ambassador Clear
RACK TOM 2
Size: 9×12”
Batter head: Remo Emperor Clear
Resonance head: Remo Ambassador Clear
FLOOR TOM 1
Size: 16×16”
Batter head: Remo Emperor Coated
Resonance head: Remo Ambassador Clear
FLOOR TOM 2
Size: 16×18”
Batter head: Remo Emperor Coated
Resonance head: Remo Ambassador Clear
DARKNESS.
THE DARK WATERS.
Brand: DW
Model: Collectors Maple Standard
Shell construction: Six-ply maple
Shell finish: Black
Tool recorded: Vater 5B Hand Selected Hickory drumsticks
KICK
Size: 16×24”
Batter head: Remo Powerstroke P3
Front head: DW Factory w/ 6” hole
Beater: Felt
SNARE
Brand: DW
Model: Collectors Brass
Shell construction: Black nickel over brass
Shell finish: Black nickel
Size: 6.5×14”
Batter head: Remo Emperor Coated
Resonance head: Remo Ambassador Hazy
RACK TOM 1
Size: 8×10”
Batter head: Remo Emperor Clear
Resonance head: Remo Ambassador Clear
RACK TOM 2
Size: 9×12”
Batter head: Remo Pinstripe Clear
Resonance head: Remo Ambassador Clear
FLOOR TOM 1
Size: 14×14”
Batter head: Remo Pinstripe Clear
Resonance head: Remo Ambassador Clear
FLOOR TOM 2
Size: 16×16”
Batter head: Remo Pinstripe Clear
Resonance head: Remo Ambassador Clear
DARKNESS.
ADDITIONAL INSTRUMENTS
KICKS
Brand: Ludwig
Model: Classic maple
Shell construction: Six-ply maple
Shell finish: Black sparkle
Size: 16×22”
Batter head: Remo Powerstroke P3
Front head: Ludwig Factory w/ 6” hole
Beater: Felt
Also available as a separately recorded ’Damped’ option
Brand: Ludwig
Model: Classic maple
Shell construction: Six-ply maple
Shell finish: Black sparkle
Size: 14×26”
Batter head: Remo Ambassador
Front head: Generic Clear w/ 11” hole
Beater: Felt
Brand: Ludwig
Model: Stainless Steel 1970s
Shell construction: Stainless steel
Shell finish: Stainless steel
Size: 14×24”
Batter head: Remo Ambassador
Front head: Generic Clear w/ 11” hole
Beater: Felt
Also available with a separately recorded ‘Alt. Miking’ version
Brand: Premier
Model: Olympic
Shell construction: Three-ply mahogany with reinforcement rings
Shell finish: Checker plate wrap
Size: 16×22”
Batter head: Remo Powerstroke P3
Front head: Generic w/ 8” hole
Beater: Felt
SNARES
Brand: Yamaha
Model: Recording Custom Brass
Shell construction: Brass
Shell finish: Lacquered brass
Size: 6.5×13”
Batter head: Evans Hybrid Coated
Resonance head: Remo Ambassador Hazy
Brand: Yamaha
Model: Piccolo Brass
Shell construction: Brass
Shell finish: Lacquered brass
Size: 3.5×14”
Batter head: Remo Emperor X Coated
Resonance head: Evans 300 SNARE Side
Brand: Pearl
Model: Sensitone Custom Alloy Steel
Shell construction: Chrome over steel
Shell finish: Chrome
Size: 6.5×14”
Batter head: Remo Emperor X Coated
Resonance head: Remo Ambassador Hazy
Brand: Pearl
Model: Free Floating Piccolo Steel
Shell construction: Steel
Shell finish: Matt black lacquer
Size: 3.5×14”
Batter head: Evans Genera Dry
Resonance head: Remo Ambassador Hazy
Brand: Ludwig
Model: LM400 Supraphonic
Shell construction: Chrome over Ludalloy
Shell finish: Chrome
Size: 5×14”
Batter head: Remo Ambassador Coated
Resonance head: Remo Ambassador Hazy
HI-HAT
Brand: Paiste
Model: Signature Traditionals Medium Light
Size: 15”
CRASH 5
Brand: Zildjian
Model: A Medium Thin
Size: 17”
DEATH.
THE BIRCH BEHEMOTH.
Brand: Sonor
Model: Designer Series
Shell construction: Birch (9-12-ply depending on drum size)
Shell finish: Gloss yellow lacquer
Tools recorded: Regal Tip Naked 5A X Series by Calato drumsticks (hi-hat and ride)
and Vic Firth American Classic 5B drumsticks (the rest)
KICK 1
Size: 16×24”
Batter head: Remo Powerstroke 3 Clear
Front head: Remo Powerstroke 4 w/ 12” hole
Tuning: Medium
Beater: Wood
KICK 2
Size: 16×24”
Batter head: Remo Powerstroke 3 Clear
Front head: Remo Powerstroke 4 w/ 12” hole
Tuning: Medium (slightly lower than Kick 1)
Beater: Wood
SNARE
Brand: Tama
Model: Bell Brass
Shell construction: 3 mm bell brass
Shell finish: Lacquered brass
Size: 6.5×14”
Batter head: Remo Controlled Sound Coated Black Dot
Resonance head: Remo Ambassador Hazy
RACK TOM 1
Size: 8×8”
Batter head: Remo Emperor Clear
Resonance head: Remo Ambassador Clear
RACK TOM 2
Size: 9×10”
Batter head: Remo Emperor Clear
Resonance head: Remo Ambassador Clear
RACK TOM 3
Size: 10×12”
Batter head: Remo Emperor Clear
Resonance head: Remo Ambassador Clear
FLOOR TOM 1
Size: 16×14”
Batter head: Remo Emperor Clear
Resonance head: Remo Ambassador Clear
FLOOR TOM 2
Size: 16×16”
Batter head: Remo Emperor Clear
Resonance head: Remo Ambassador Clear
HI-HAT
Brand: Zildian
Model: K Custom Special Dry
Size: 15”
RIDE
Brand: Zildjian
Model: K Dark Medium
Size: 22”
CRASH 1
Brand: Zildjian
Model: A Custom
Size: 18”
CRASH 2
Brand: Zildjian
Model: A Custom Fast
Size: 18”
CRASH 3
Brand: Zildjian
Model: A Custom
Size: 19”
CHINA 1
Brand: Meinl
Model: Byzance
Size: 18”
CHINA 2
Brand: Zildjian
Model: A Ultra Hammered
Size: 19”
SPLASH 1
Brand: Zildjian
Model: A Custom
Size: 8”
SPLASH 2
Brand: Zildjian
Model: A Custom
Size: 10”
DEATH.
THE METALLIC BLACK.
Brand: Gretsch
Model: USA Custom 1980s Square Badge
Shell construction: Six-ply maple/gumwood (Jasper shells)
Shell finish: Burnt orange
Tool recorded: Vic Firth American Classic 5B Drumsticks
KICK 1
Size: 16×24”
Batter head: Remo Powerstroke 3
Front head: Remo Ambassador w/ 8” hole
Tuning: Medium
Beater: Wood
KICK 2
Size: 16×24”
Batter head: Remo Powerstroke 3
Front head: Remo Ambassador w/ 8” hole
Tuning: Medium (slightly lower than Kick 1)
Beater: Wood
SNARE
Brand: Tama
Model: Bell Brass 1980s
Shell construction: 3 mm Bell Brass
Finish: Lacquered brass
Size: 6.5×14”
Batter head: Remo Controlled Sound Coated Black Dot
Resonance head: Remo Ambassador Hazy
Also available as a separately recorded ‘High Tuned’ option
RACK TOM 1
Size: 8×10”
Batter head: Remo Emperor Clear
Resonance head: Remo Ambassador Clear
RACK TOM 2
Size: 10×12”
Batter head: Remo Emperor Clear
Resonance head: Remo Ambassador Clear
RACK TOM 3
Size: 12×14”
Batter head: Remo Emperor Clear
Resonance head: Remo Ambassador Clear
FLOOR TOM 1
Shell finish: Walnut
Size: 14×16”
Batter head: Remo Emperor Clear
Resonance head: Remo Emperor Clear
FLOOR TOM 2
Model: Stop Sign Badge
Shell finish: Black
Size: 16×18”
Batter head: Remo Emperor Clear
Resonance head: Remo Emperor Clear
HI-HAT
Brand: Meinl
Model: Byzance Medium
Size: 15”
RIDE
Brand: Zildjian
Model: K Custom
Size: 20”
CRASH 1
Brand: Meinl
Model: Byzance Medium Thin
Size: 18”
CRASH 2
Brand: Zildjian
Model: K Dark Thin
Size: 17”
CRASH 3
Brand: Meinl
Model: Byzance Medium Thin
Size: 19”
CHINA 1
Brand: Zildjian
Model: K Custom Dark
Size: 17”
CHINA 2
Brand: Paiste
Model: Signature Heavy
Size: 18”
SPLASH 1
Brand: Paiste
Model: Signature
Size: 8”
SPLASH 2
Brand: Zildjian
Model: K Custom Dark
Size: 12”
DEATH.
THE BATHYAL BLUE.
Brand: Yamaha
Model: Recording Custom 1990s
Shell construction: Six-ply birch
Shell finish: Deep aqua
Tool recorded: Vic Firth American Classic 5B drumsticks
KICK 1
Size: 18×22”
Batter head: Remo Powerstroke 3
Front head: Yamaha factory w/ 12” hole
Tuning: Medium
Beater: Wood
KICK 2
Size: 18×22”
Batter head: Remo Powerstroke 3
Front head: Yamaha factory w/ 12” hole
Tuning: Medium (slightly higher than Kick 1)
Beater: Wood
SNARE
Brand: Drumcraft
Model: Bell Brass
Shell construction: 6 mm bell brass
Shell finish: Lacquered brass
Size: 6.5×14”
Batter head: Remo Ambassador X14 Coated
Resonance head: Drumcraft Hazy
RACK TOM 1
Size: 9×10”
Batter head: Remo Emperor Clear
Resonance head: Remo Ambassador Clear
RACK TOM 2
Size: 10×12”
Batter head: Remo Emperor Clear
Resonance head: Remo Ambassador Clear
RACK TOM 3
Size: 12×14”
Batter head: Remo Emperor Clear
Resonance head: Remo Ambassador Clear
FLOOR TOM 1
Size: 14×16”
Batter head: Remo Emperor Clear
Resonance head: Remo Ambassador Clear
FLOOR TOM 2
Size:16×18”
Batter head: Remo Emperor Clear
Resonance head: Remo Ambassador Clear
DEATH.
THE MAPLE MONSTER.
Brand: DW
Model: Collectors All-Maple
Shell construction: Six-ply maple
Shell finish: Natural maple
Tool recorded: Vic Firth American Classic 5B drumsticks
KICK 1
Size: 18×22”
Batter head: Remo Powerstroke P3
Front head: DW Factory w/ 6” hole
Tuning: Medium
Beater: Wood
KICK 2
Size: 18×22”
Batter head: Remo Powerstroke P3
Front head: DW Factory w/ 6” hole
Tuning: Medium (slightly higher than Kick 1)
Beater: Wood
SNARE
Brand: DW
Model: Collectors Cast Bronze
Shell construction: 3 mm bell bronze
Shell finish: Lacquered brass
Size: 5×14”
Batter head: Remo Ambassador Coated
Resonance head: Remo Diplomat Hazy
RACK TOM 1
Size: 8×10”
Batter head: Remo Emperor Clear
Resonance head: Remo Ambassador Clear
RACK TOM 2
Size: 9×12”
Batter head: Remo Emperor Clear
Resonance head: Remo Ambassador Clear
RACK TOM 3
Size: 11×14”
Batter head: Remo Emperor Clear
Resonance head: Remo Ambassador Clear
FLOOR TOM 1
Size: 16×16”
Batter head: Remo Emperor Clear
Resonance head: Remo Ambassador Clear
FLOOR TOM 2
Size: 16×18”
Batter head: Remo Emperor Clear
Resonance head: Remo Ambassador Clear
DEATH.
ADDITIONAL INSTRUMENTS
KICK 1
Brand: Gretsch
Model: USA Custom 1980s Square Badge
Shell construction: Six-ply maple/gumwood (Jasper shells)
Shell finish: Black
Size: 14×24”
Batter head: Remo Powerstroke 3
Front head: Gretsch Factory w/ 6” hole
Tuning: Medium
Beater: Wood
KICK 2
Brand: Gretsch
Model: USA Custom 1980s Square Badge
Shell construction: Six-ply maple/gumwood (Jasper shells)
Shell finish: Black
Size: 14×24”
Batter head: Remo Powerstroke 3
Front head: Gretsch Factory w/ 6” hole
Tuning: Medium (slightly higher than Kick 1)
Beater: Wood
SNARES
Brand: DW
Model: Collectors Steel
Shell construction: Chrome over steel
Shell finish: Chrome
Size: 6.5×14”
Batter head: Remo Ambassador X14
Resonance head: Evans 300 Snare Side
Brand: Sonor
Model: Artist Series Cast Bronze
Shell construction: 3 mm cast bronze
Shell finish: Lacquered Bronze, black hardware
Size: 6×14”
Batter head: Remo Controlled Sound Coated Black Dot
Resonance head: Remo Ambassador Hazy
Brand: Dunnett
Model: Cast Iron
Shell construction: Cast iron
Shell finish: Aged iron
Size: 7×13”
Batter head: Remo Emperor Coated
Resonance head: Remo Ambassador Hazy
Brand: Ludwig
Model: Black Beauty
Shell construction: Black nickel over spun brass
Shell finish: Black nickel
Size: 6.5×14”
Batter head: Remo Controlled Sound Coated Black Dot
Resonance head: Remo Ambassador Hazy
Also available as a separately recorded ‘High Tuned’ option
Brand: Yamaha
Model: Brass Piccolo
Shell construction: Seamless brass
Shell finish: Lacquered brass
Size: 3.5×14”
Batter head: Remo Controlled Sound Coated Black Dot
Resonance head: Remo Diplomat Hazy
HI-HAT
Brand: Zildjian
Model: K Custom Session
Size: 14”
RACK TOM 1
Brand: Yamaha
Model: Recording Custom 1990s
Shell construction: Six-ply birch
Shell finish: Deep aqua
Size: 8×8”
Batter head: Remo Emperor Clear
Resonance head: Remo Ambassador Clear
CRASH 3
Brand: Zildjian
Model: A Custom
Size: 20”
THE ENGINEERS.
DARKNESS.
TUE MADSEN.
Tue produced his first record in 1997 and hasn’t looked back since. With a production style that is distinctly personal, organic and with a strong pathos for musical vision, he’s helped shape the sound on anything from seminal hardcore classics to modern metal masterpieces.
You have been making records for 20+ years and recorded anything from rock to punk, hardcore and extreme metal. Is there any genre you prefer over the other?
I prefer to make music over anything else, genre is not important to me. Electronic, hip-hop, metal, pop. I do think there should be more punk in everything. Some dirt in the machinery to make the whole picture we are painting more real and pretty. I am amazed at how real the drums sound here but also know it is because everything was played by humans and kept the way the humans played it.
In a mix, where do you usually start: the drums, guitars, vocals or something else?
I always start with the drums. Get the whole kit up and going, but I quickly move on to bass, then guitars and even vocals – because when a new instrument is introduced in the mix, it changes everything else and then I need to go back and change those I already worked on… It is kind of like trying to get balance while standing on small ice flakes in the water – maintain your cool so you don’t fall in…and when all the elements have been brought to their right place, I can finally stand securely and enjoy the view…. Am I making ANY sense here?
You are a big believer of bands actually playing live in the studio, which is somewhat rare in this day and age. What do you think it adds to a song or an album?
Even when it is not the whole band playing live, I try to keep the live feeling. Let people play rather than me programming and beat detecting and copy pasting… I believe all that dirt that occurs helps to build something unique and special that will never be the same for any other record. And making unique records is what it is all about. Bringing out something that only THIS band could do right now.
You recently moved out of your studio and one of the last sessions was actually capturing the drums for this Toontrack SDX. Why did you move and where do you currently work?
The Toontrack session was the very last one! I cut the multi-cable the day after they left, so no turning back. I wanted to move to the country for years now and we (family included) finally found the perfect house. This whole summer I have been building a new studio. I already did a few productions and I am very pleased with how it is sounding and now I still have the pool with me forever thanks to Toontrack. In fact those sounds are already on a few albums that are going to hit the charts very soon all around the world.
If you weren’t making albums, what do you think you’d do for a living?
Well the house we bought came with a huge garden, so I guess I would be cutting trees and mowing lawns… No actually I have no idea. I would feel completely useless if I couldn’t record drums and guitars anymore. I have to make music with good people.
The pool is your previous studio has a really unique ambience when it comes to drum tones. Listening back to the SDX sounds, what are your thoughts of how it translated to the “digital” realm?
I was really shocked at how much it sounded like the real thing when I got the first draft of the plugin. First hit on a cymbal or tom and I am right back there in the pool. It sounds exactly like I have gotten used to over the years. I hope people will enjoy getting sounds out of it too.
Best studio moments so far in your career?
Best studio moments…are simply too many. Being one of the first fans of Meshuggah, of course recording them at PUK studio was incredible not only for me as a fan boy, but also because those guys can play and are aware of so many things that influence the way the finals will sound. Mixing the Metal God (Rob Halford) was incredible. Working with the greatest Hardcore bands Sick of It All, Madball, BillyBio etc. and feeling that it is mutual. I think that is really the big moment for me – when the bands are as happy with me as I am with them, and we strive for the same goal AND reach it. I have some lifetime relationships with some bands such as Ektomorf, Heaven Shall Burn, Moonspell etc. where grow together, change together, explore together. That is really fulfilling for me.
A SELECTION OF TUE’S DISCOGRAPHY
Born from Pain “Sands of Time” (2003)
Sick of It All “Death to Tyrants” (2006)
Suicide Silence “The Cleasing” (2007)
Dark Tranquillity “We Are the Void” (2010)
Meshuggah “A Violent Sleep of Reason” (2016)
DEATH.
MARK LEWIS.
Mark Lewis is originally from the Southern Maryland area but spent a big portion of his recording career in Orlando, FL, working out of Audiohammer Studios. Today, he has relocated to Nashville, TN, and works in studios all over the world as well as from his own room.
How did you get started in the business and how come you ended up behind the console as opposed to on stage?
I was always fascinated with how things sounded once i started playing guitar. Growing up, my dad had a pretty amazing stereo system with some old JBL 4311 studio monitors as his main setup. I would listen to his records all the time and eventually, they started buying me my own at a pretty young age. Once I really started getting serious about guitar, I got deeper and deeper into how things sounded and how those things were achieved. Between my dad pointing things out to me and my guitar teachers really schooling me on production and tones, I really got deep into the audio world pretty early. I would spend hours tweaking my amps and trying all kinds of different things. I would probably have been a much better guitar player if I hadn’t been so fascinated with audio! In reality, I always wanted to be a performer, but when people started noticing how seriously I took sounds I sort of became the person they would go to about tones and recording advice. I figured out I could actually make a living doing this instead of relying on four or five other crazy people to keep a band together. So far it’s worked out OK, I think.
There are tons of engineers and producers out there doing records with mid-sized bands, but only a handful of go-to, A-level guys producing the bulk of what’s topping the US modern metal scene. You’re definitely one of them. Is there a specific moment or project that helped push you on to the next level?
Well, I was lucky to start engineering under my super-talented best bud Jason Suecof, and from the moment I started at Audiohammer we were working on some really cool stuff. I would say the records that really put us on the map as a team sonically were Bury Your Dead’s “Beauty and the Breakdown” as well as Black Dahlia Murder’s “Nocturnal. Those were the early landmarks that sort of blazed my trail, I suppose.
If you weren’t producing records, what would you do?
Good question. I don’t really know anything else. I taught guitar before I did this, and I liked it. But I didn’t get the same satisfaction as I do from this. If I had to start over, I think maybe I would get into electronics of some sort. My knowledge now is so limited, but it really fascinates me.
In a mix, where do you usually start: the drums, guitars, vocals or something else?
I usually start with the drums, getting those right. The snare, overheads and toms usually take the longest to sit right. I have a very rough guitar and bass mix going that whole time too and once I feel good about the drums, I move onto the guitars and bass. I’ve been known to take days dialing in a guitar sound and EQ. It gets tedious beyond even what most people would think or tolerate.
Listening back to the drums now that they’re done and prepared for the software, how do you think it all turned out?
I couldn’t be happier with the raw tones. We have a huge variety of drums and mics that will allow you to achieve pretty much anything with these kits. The thing I can’t stress enough is the flexibility here. You have great presets in the EZX that are mix-ready and will sound killer dropped right into a mix and then on the SDX you get the presets and all the raw tones. There are four different kick mics, three snare mics, two different stereo overheads, three sets of stereo rooms at varying distances, four different mono room mics and a mic on every cymbal. Not to mention four different kits, nine kicks and loads of snares. The possibilities are endless and there is an infinite variety of incredible sounds within this library. Between Sean’s hands and Toontrack’s attention to detail, it feels like the most real of any library I’ve ever heard.
A SELECTION OF MARK’S DISCOGRAPHY
Whitechapel “This Is Exile” (2008)
DevilDriver “Winter Kills” (2013)
Six Feet Under “Undead” (2012)
Cannibal Corpse “A Skeletal Domain” (2014)
Coal Chamber “Rivals” (2015)
DARKNESS. ANTFARM.
MICROPHONE
– INPUT LIST.
| CHANNEL | MICROPHONE | PRE-AMP(S) |
| Kick In | Sennheiser E602 II | Midas Golden age Pre 573, EQ 573 |
| Kick Out | Sennheiser E902 | Midas Golden age Pre 573, EQ 573 |
| Snare Top | Sure sm57 | Midas Golden age Pre 73DLX, EQ 81 |
| Snare Bottom | Sennheiser 421 | Midas Golden age Pre 573, EQ 573 |
| Tom 1 | SoundKing (SKED004) | Midas Golden age Pre 573, EQ 573 |
| Tom 2 | SoundKing (SKED004) | Midas Golden age Pre 573, EQ 573 |
| Tom 3 | SoundKing (SKED004) | Midas Golden age Pre 573, EQ 573 |
| Tom 4 | SoundKing (SKED004) | Midas Golden age Pre 573, EQ 573 |
| Tom 5 | SoundKing (SKED004) | Midas Golden age Pre 573, EQ 573 |
| Tom 6 | SoundKing (SKED004) | Midas Golden age Pre 573, EQ 573 |
| Ride | Oktava MC 012 | TL Audio M3 Tube tracker |
| Splash | Oktava MC 012 | TL Audio M3 Tube tracker |
| Hi-Hat | Oktava MC 012 | TL Audio M3 Tube tracker |
| OH Right | Ehrlund EHR-E | Focusrite ISA 828 |
| OH Center | Ehrlund EHR-E | Focusrite ISA 828 |
| OH Left | Ehrlund EHR-E | Focusrite ISA 828 |
| Amb Ribbon Front Right | T.Bone RB-500 | Focusrite ISA 828 |
| Amb Ribbon Front Left | t.bone RB-500 | Focusrite ISA 828 |
| Amb Ribbon Back Right | t.bone RB-100 | Focusrite ISA 828 |
| Amb Ribbon Back Left | Oktava MA-52 Modified | Focusrite ISA 828 |
| Amb C414 Right | AKG C414 XLII | TL Audio M3 Tube tracker |
| Amb C414 Left | AKG C414 XLII | TL Audio M3 Tube tracker |
| Amb Rode Right | Rode NT-1000 MKI | TL Audio M3 Tube tracker |
| Amb Rode Left | Rode NT-1000 MKI | TL Audio M3 Tube tracker |
| Amb Tube Right | SoundKing SKEA001 | Joemeek VC6Q Brittish Channel strip |
| Amb Tube Left | SoundKing SKEA001 | Joemeek VC6Q Brittish Channel strip |
| Amb Kik Mono | MXL 770 kondensator | TL Audio M3 Tube tracker |
| Amb Over Mono | Ehrlund EHR-M | Midas Golden age Pre 73 |
| Variant | 1 |
