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Tracktion Beta Maxed for Collective




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 Beta Maxed for Collective

 VST2 / AAX / AU

 Beta Maxed

 Take it to the max and slam dance your way through this late 80’s inspired sound pack. Bringing the lush pads, iconic drums and heavy synth riffs that spawned so many memorable sound tracks and questionable fashion moments!

 Includes 100 phat sounds and 250 new samples to add to your sonic duffel bag.

 Compatible Software: Collective


 Spectacular sample based diversity intertwined with a powerful synthesis engine.


 When assembling the factory sound library for Collective, we turned to one of the most acclaimed artisans in the field of sample capture and voicing – Klaus Peter Rausch. Over the past 3 decades, Klaus has worked with numerous industry titans including Korg, Alesis, Clavia, Yamaha and many more. All the while amassing a vast array of instrument samples of the highest quality specifically for use in sample playback engines. Working closely with the Tracktion VI development team, one of the largest assortments of Klaus’s instruments were meticulously reviewed, edited and voiced to provide a diverse sonic playground for you to explore.


 Collective is designed to be much more than just a high quality sample playback engine. It is also a deeply capable synthesis platform allowing for a wide array of electronic sounds to be generated with ease. It is the combination of these capabilities that allow the sound design team – and indeed yourselves – to create ultra hi-def sounds. Layering subtle synthesis textures under real samples can produce vibrant results that mimic real world spaces and if desired, enhance. When exploring the electronic capabilities of the synthesis engine, you will discover a comprehensive array of features including virtual analog, 4 operator FM, filters, LFO’s, envelopes and a creative selection of FX. Collective packs a world of sounds into a single, easy to use, ever expanding premium virtual instrument.


 In a world full of VI’s filled with mediocre sounds touting thousands of presets, Collective is designed to be different. Over 600 factory sounds have been meticulously crafted to provide a diverse array of both real world instruments and electronica. You will find not only the obvious but also the obscure, allowing you to quickly locate the sounds you feel for your compositions and explore new soundscapes from around the world. To keep things exciting, the content is evolving through the expansion packs themed for different musical genres and musical moments to keep you inspired. Collective is a must have instrument in your sonic arsenal.



 2 Filters

 Filters are in series with an interconnected distortion stage
 Low- and highpass filter types with 6, 12 and 24dB slope
 Bandpass and notch filter types with 12 and 24dB slope
 High-quality tunable comb filter with positive and negative feedback (can be used for polyphonic chorus or flanger or to create physical modelling sounds)
 Various distortion types including soft, medium, hard and tube overdrive and hard clipping


 4 bands fully parametric
 Low and high band types shelf, bell or cut

 4 LFO's

 Classic LFO waveforms triangle, sine, saw up/down, pulse, sample & hold, random
 Waveform skewing
 Synchronizable to host
 LFOs pre routed to sound-generating modules, i.e. pitch, pulse width, cutoff, volume and panning


 Extensive sound library with over 600 factory sounds
 Up to 256 voices (depends on CPU speed)
 Unlimited sound layers per Instrument (typically between 1 and 12)
 Macro controls for quick and easy instrument editing
 Controller support for pitch bend, modulation wheel, monophonic and polyphonic aftertouch, sustain and sostenuto pedal, expression pedal
 Full host parameter automation

 Per Sound

 Unison with up to 16 voices and freely transposable unison notes
 Powerful arpeggiator with MIDI File import
 Internal tempo or synchronization to host
 Powerful note trigger modes for sophisticated layer sounds

 Per Voice

 4 Oscillators
 High-quality sample playback
 Classic virtual-analog waveforms like saw, triangle and pulse with pulse-width modulation
 Sine waveform with continuous waveshaping turning it into square, saw, triangle or other waveforms
 In-oscillator sync
 Ring modulation of oscillator 1 and 2
 4-Operator FM with all waveforms or samples

 4 Envelopes

 Up to 32 stages with variable slope
 Sustain and release loop
 Envelopes prerouted to sound-generating modules, i.e. pitch, osc 2 + 4 level, cutoff and volume

 4 Effect Busses

 Each effect bus can be set to any effect type
 Effect types Compressor, Distortion, Filter, Chorus/Flanger, Phaser, Time/Clock Delay, Natural/Plate/Nonlinear Reverb
 Full parameter set for each effect type


 Requires a DAW host software to run and 2.9 GB available disk space.

 macOS 10.11 or later


 Windows 8 & 10


 Tested on Ubuntu 18.04