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The PSP 608 MD is perhaps the most fully featured delay plug-in available on the market (VST, AudioUnit and RTAS format for Mac OSX Universal Binary and VST, DirectX and RTAS format for Windows). We have striven to offer you a creative tool that is not only functional, but inspiring. Each tap has selectable feedback, stereo image and position, delay time, multimode filter, modulation, drive/tape saturation, and reverb. Moreover, the feedback and drive can be placed at the beginning or end of the signal chain for even more sound design options! The modulation section consists of both an LFO and Envelope follower, and the tape saturation algorithm is taken from our renowned mastering processors. And of course all this can be done at any bit depth and sample rate up to 24-bit, 192kHz, and be fully automated via MIDI and any host sequencer.
Press
So PSP have done it again. They’ve taken a basic idea, made it sound beautiful and then pushed it just that bit further. The 608 is one of the best-sounding delays available, and no other plug-in so closely resembles a high-powered hardware delay unit.
Computer Music
What I look for in a plug-in is the ability to create musical effects that go some way beyond the norm but without getting so complicated you can't be bothered to use them at all. PSP seem to have exceeded these requirements by going further beyond the norm than usual, but they've still kept the user interface simple and they've created a large library of presets that show off different aspects of the plug-in. Even if you just tweak these rather than starting from scratch, you'll still get a lot out of it, and guitarists in particular will find this a very rewarding plug-in.
Paul White, Sound on Sound Magazine
A multitap delay is an important part of every electronic musician's effects palette, and for quality and ease of use, it's hard to think of a better or more economical choice than the PSP 608.
Len Sasso, Electronic Musician
Features
Up to 8 seconds of delay time per channel
Continuous control over the delay time in milliseconds and/or chosen quantize note
Two operation modes: Multidelay, in which each tap has its own feedback buffer; and Multitap, in which the Master Feedback operates on one (user selectable) tap
Each tap included independent adjustment of the following: gain, stereo field width and balance, delay time, filtering, modulation, saturation simulation and reverberation
Each tap can choose between multiple quadruple biquadratic filter types, including: Low Pass, Band Pass, High Pass, PEAK filter and four Shelf filters
Modulation section (LFO and envelope follower) offer adjustable modulation depth of ± 3 octaves, and can be selected for filter cutoff
Tape saturation simulation with adjustable gain based on the algorithm used in our mastering processors
Filtering module in feedback includes LP, BP, HP filter (either State Variable Filter or Biquad) with adjustable cutoff and resonance
Vintage reverberation module for faithful simulation of spring and plate reverbs
Support for sample rates of up to 192kHz
Host and MIDI automation of all processing
Minimum system requirements
Windows XP or later
VST, DirectX or RTAS compatible host application
256 MB RAM
Intel Celeron 1GHz or faster processor
High Color S-VGA, 1024x768
Tiger MacOS X 10.4.0 or later
Intel Mac or G4 or G5
512 MB RAM
AudioUnit,VST or RTAS compatible host application
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